Nano Banana – aka Google’s Gemini 2.5 Flash Image – Arrives On Leonardo.Ai
Human creativity is equal parts craft and imagination – and the tools we use should feel just as dynamic. Enter Nano Banana, now live on Leonardo. Built for creators who demand precision without sacrificing artistry, this model puts an entirely new level of control at your fingertips. Whether you’re sketching out a concept from scratch […]
From static assets to scalable motion: How Springbok used AI animation as a creative advantage.
Springbok stands apart from traditional digital agencies. Spanning Belgium and the Netherlands with nearly 350 creative specialists, and as a certified B Corp, they help brands grow with purpose. But as creative demand scaled up and timelines stayed tight, Springbok needed to increase production capacity without sacrificing quality or brand consistency. Controlled motion, powered by […]
How Creative Teams Eliminate Visual Bottlenecks with Universal Upscaler
For marketing and creative teams, visuals don’t just support the message: they are the message.
A Creative Director’s Eye — Interview with Artist Charlene Sepentzis
How Belgian’s largest insurance provider found efficiencies with AI: From workflow tweak to creative accelerator
Springbok isn’t your average digital agency. With almost 350 creative specialists across Belgium and the Netherlands, the certified B Corp helps brands grow for good. But with big ambition comes big demand… So, when the volume increased and timelines didn’t, they needed to scale their craft without sacrificing quality. And that’s where Leonardo.Ai came in. […]
The Art Behind Training Gen AI Models: An Interview with Leonardo.Ai’s Lead AI Researcher & Co-founder, Ethan Smith
Following the launch of our latest image generation model, Lucid Origin, and in light of its recent entry into the top 10 on the community-driven leaderboard at Artificial Analysis, we sat down with Ethan Smith – Leonardo’s Lead AI Researcher and Co-founder – to unpack how we build and train new models. In this deep […]
